diagnosing the instrument


IMG_1698.jpeg

Most of the thinking that a therapist might find relevant to making a diagnosis i do in the dead of night.  It is not by choice, this arrangement I’ve made with my life.  Sometimes it starts with parenting, by which I mean escorting a wayward woken child back to bed and, hopefully, back to sleep. And then I settle into settling accounts, prognosticating, tending to anxiety and resentment and exploratory myth making.  But it also comes unbidden, emerging from a dream interrupted, or just an interior monologue rejoined in medias res as I come to.

Sometimes I am replaying conversations that actually happened, as they happened, or as they might have happened, had I a chance to edit and redirect them from whatever sordid conflict-escalating path I put them down.  Other times I am anticipating conversations that might happen and but soon, and obviously there is a fair bit of projecting about exchanges that don’t have even a puncher’s chance of breaking into the real or seizing on some jaunty picaresque scene from the past or from the vault of paths not taken. Examining the unlived life and dissembling the lived one.


It is not wise, this thinking in the dead of night.  Easy words to say, hard word to live by. It is useless, unproductive, and often untethered from what I would recognize in my normal waking hours as the normal cognitive patterns of a productive, tax-paying, responsible self.  That is a personage that I inhabit (sometimes thoughtlessly, sometimes uncomfortably, as though it were a form-fitting corset or worse straitjacket, being put to strictly utilitarian ends) and the inhabiting occurs at times other than when I am doing this thinking.  And it seems readily apparent that what is normal in the day is not what is normal here in these insomniac vignettes, that I am not normal in how often and how completely I succumb to and am bound over to them.  The idea that sleepless rumination highjacks what would otherwise be an unremarkable self, something in the middle of the curve, extending just to the mean and the medium of everyday life and no farther - that idea gains purchase at the same time as I give in to habit that self be highjacked.  I am uncertain which is more expressive of me, more - as we are all now wont to say - authentic.  

I no longer fret so much about what is real or about how the Real is an engine of subliminal viscosity.  I have become accustomed to the thought that we are what we do, and that one thing I do is sabotage a normal day by letting it begin with this, shortly after midnight or 1 am.  But like a dog worrying over a bone, I am.  And so this happens.  

The sun is new every day


IMG_1685.jpeg


A leaky vessel, embedded in all

This spooky action where whirl

Is king not for a day but as 

A category inescapable

I beseech you and 

your alabaster skin

Flinty heart

Passive rectitude

could we just get on with

The redness of no longer loving

and the cool blue 

semblance of puckered anxiety

I do not lust after distance squared 

Slipped loose from that horizon 

Into which a passel of Barbarians 

ride on horses in movie after movie

That plays on after my head 

Runs into flickering gray abstract

of no longer feeling anything.

And somehow I find it hard to think

My children will understand that if

The hordes in the epic epics 

Do not move across the land

The land might just bite back.

As it has done and

Always will do.

Not winning is a given if the finite

Is both measuring stick and 

Soiled carrot

You find a rhyme for orange 

In a dream and suddenly it

Seems like your naked 

Ring finger is split-haired choice

Not spite-pickled destiny

Easier that way.  Better too.


DSC08065.jpeg
IMG_1684.jpeg
IMG_1687.jpeg

Transient Global Amnesia, no doubt precipitated by the acute stress of having never had enough capacity to say it loud enough to be heard often enough to feel just ok

An anniversary on the horizon for this navel gazing and it seems like at least the following is worth noting:

  1. The future keeps winning. Even when it seems unlikely.

  2. Riding in a Porsche on a late spring day and eating up a mile in a matter of what seems like moments: affirming.

  3. Sleep. On the regular. Oh if only.

IMG_1682.jpeg



IMG_1683.jpeg

No deep further fact

Do you mean to tell me there is no deep further fact beyond the multitude of adjacent mental moments and psychological states that make up a day a week a month, other than that such moments and states are habituated (firing makes wiring)?

That there is no deep further fact to the idea of having or being or embodying a self?

That - knock on wood - sometimes the sense of having hit bedrock is just like the sense of having felt inspired by a trumpet blast and the crescendo of the felt mallets on the skin of a timpani?

a peace piece by bill Evans yes I suppose that is the one, I would like it played when I die and anyone who is here still still hearing this will see that it is played then when I am no longer here to hear it played. A peace piece a piece of the peace

That unravished bride of quietness

***
This is not a sentence.

This sentence is false is not a sentence

“A quotation appended to itself” appended to itself is a sentence to purgatory.

***
Here I was, trying to talk about things, to you, and I open my mouth and out comes more things. The more I tried to talk to you, the more things came at you. Which is not to say it was unenjoyable: this constructive monologue of mine.

***
It wasn’t just that he was a narcissist. He was a wounded narcissist, which, I mean, like, come on.

***
Bear with me, no - wait just bear with me for one second. You don’t want to do this. You don’t know what you’re doing. Please, just stop. Stop and think. For once in your life - No wait I didn’t mean that. Not like it sounded. I don’t mean things how they sound, it’s true.

Virtue signaling from a naked king who got rid of all children, just in case

You tell me, if you’re so smart, why ain’t you rich?  And I tell you I don’t know how to talk about money, anymore than I know how to tell you what you missed in not making a choice to alter your brain in high school.  

Do you have anxieties that your sensations of the world sit across an experiental divide from the things of the world about which your sensations cluster/from which they emanate/to which they attach?  If this experience-phenomena-thing gap is still a thing for you, even at this age of crumbled empires and factional reality, I wonder whether there is much chance of me falling in love with you at the same time as you falling in love with yourself. I also wonder whether aesthetics is not a subset of philosophy but a form of consumption.

If you’ve never eaten a thing whose life you took on purpose, does that make you slightly less human?  When did the category human no longer necessitate a trait of “killing what it eats?”   Not to get all Fertile Crescent and onset of agricultural practice on you.   

IMG_1179.jpeg

I started beholden to the idea that this time I might actually say something.  I have become arrested by the idea that for too long I was assuming that the work was a puzzle, and it turns out it just be a mystery instead.  That this doesn’t feel momentous, and also doesn’t feel like a loss, is some indication of how far I’m come or how the shiny allure of a closed and comprehensive belief system has just never taken root.  For me at least.  They say work masochism bears a family resemblance to virtue signaling which bears a family resemblance to compulsive signifying activity, to which I say, to them and those their ilk, very well.

The reason I’m so smart and not rich (one might answer) is because I recognize the illusion of wealth for what it is.  But that is a luxury, that recognition, isn’t it?  

An apercu of God and dice a call for plaintive calm


Adjustments.jpeg

The shallow expression of that persistent itch is just “something new and shiny.”   The underlying absence that gives the itch purchase on your brain patterns and carves out a home there is “something enduring that keeps kicking out meaning.” Maturity is a name given to boring acquiescence, so as to reduce its sting. Like cardiac arrest is to heart-stopping death.

IMG_1664.jpeg

Having money in amounts sufficient to keep people at bay is a very American ambition.  It is as though security comes by way of insulation and the absence of worry comes by the absence of unintended friction when people pass in and out of a life, this life, your life.  It is a peculiar sort of wisdom to recognize that this all may be a symptom of alienation, in the way that making a living puts use values and meaningfulness at odd clashing angles.  Actionable wisdom, rather than empowering affluence - but (being American, after all) why not both?  

IMG_1665.jpeg

Why not the Peace Piece by Bill Evans and the first two tracks from entroducing?  Why not a small spliff on a walk in the woods and the twirl and shuffle of a hand on her back, spinning out and pulled back close with the hand she holds in yours? Why not all the why nots now?

The world is full of educated derelicts making ever more artful PowerPoints

And the people made powerpoints

IMG_1634.jpeg

And the people made powerpoints

slide after slide after slide

trying to reinvent a presence at the vanishing point, you know the one, the gravitational mass on the horizon where all lines converge and the inflow of money might be pinned to a map 

The people believed that having faith in having faith would be (or simply is always) enough.

As though declaiming could make this confounding mystery into a puzzle, with coordinates and rules and the magnetic pull of a template endgame to which you might refer every hour on the hour.  

Like a scurrying centipede, but of segmented concepts instead of churning limbs, all akimbo and with no logical progression, reading slide after slide after self-referential slide climbing up the walls and scattering my force, every hour on the hour.  

IMG_1631.jpeg

 Kvetch as kvetch can, have no fear, I will lap up what no one else is spooning out.  A thousand internal monologues fall by the way.  

It is never enough, this stolid 8 wants to be a palpitating 10, let me show you

Just-cleaned gloss is the fixed look staring back at me like a transparent omen of cemented insight. 

IMG_1633.jpeg

Have I mentioned that this is costing nothing, my wisdom wrought from fierce design and slandered title. All of it just background music, counterpoint in a minor key, and I lord over this gloomy scrim of a window pane I’ve peered out of and breathed into, role playing  skillful lookout, every hour on the hour  

I am in that everlasting niche mediating the gap between insular mind-games and lambent group text grandiosity, five of us now, none the wiser, arguing over whether a cyclone or a tornado could serve as an epigram to the (r0) and the f(n) of serendipitous dread


IMG_1632.jpeg

That no one will ever ask for this is not the biggest fear.  Martin Luther says that penitence comes first and pounded it with nails.  Luther Martin says that Chase was scavenged before he was ravaged.  and the people making powerpoints say that no matter what, this idea of an insurrection will pound onward.  

on the hour every hour, standing here feeling what it feels like to feel like this, muted until the sign off

(not another word) 

standing here feeding a well-fed thing that feeds on this newfound zeal for slick budget graphs and epistolary pitches

(not another word)

Starving hysterical naked

Explicating Seneca

Salivating over so much pithy cant

(not another word)

This time she conquers the digital maze and lasts at least 8 secs with the mechanical bull

I have a distinct memory of being told of an event about which I have no memory: I am in Oshkosh overalls, shirtless, brown toddler body and ringlets of blonde hair, playing behind a ring of bales of hay. The bull is out and the family that is babysitting me can’t find me. I am clueless, in the reverie of pretend play and the only lived moment of the present that is the only lived moment ever for a child like me. I get pulled out of the reverie and back to my powerlessness when a strong hand with a steady grip plucks me from the ground and runs with me, strung up like a fish on a line, to the nearest outbuilding. I am told - or else I conjure up this detail to help make sense of why I was uprooted - that the bull was panting and snorting and pawing the ground outside the ring of bales.

No not quite like this . . .

No not quite like this . . .

Horse shoes and hand grenades

Horse shoes and hand grenades


If she had only had a drone, and

of the maze had made a game

Much less strife might have been sown

and her calling could have saved her name.

She should have could have might have done

Those dirty deeds with Zeus’s son

Her body minded, it kept full score

She long outfoxed the Minotaur.


A thousand pictures not worth one word

A thousand pictures not worth one word


When it comes time to pull on the thread of memory, and remember what these days and nights felt like, there will be a greater or lesser tendency to fall into the rhythms of coherent declaration and speak in dulcet tones of soothsaying hindsight. And it will take someone brave to shout out that nearly everyone was clueless and beholden to that ignorance, like a moral cripple is beholden to the unfairness of affliction. “We had no idea what might come,” if said, will be poorly understood, because it will have came, come what may, and the equal parts of its promise and its wreckage will have already become encoded in the minds of parties whose poor understanding will hold us in good stead, I hope. I hope.

Leave the possible to those who are fond of it

The downstream consequence of this collaboration between my time and this entity’s list of objectives is money. Presumably an amount of money that exceeds the value I contribute, satisfices my need for enough stuff to feel comfortable and at the level of status I strive to achieve, and overpowers my desire to chuck all this nonsense and live perilously, without resource or any level of security to fall back on.

i have more humorless, obvious sentiments to throw down after a brief word from our sponsors . . . .

MetaComment on what this is parallel to, a substitute for, competing with

I had intended to assemble a diary that might read like a how-to guide in handling the delamination of self.  It was to be anchored to the idea of loss as a repulsive gift, something that however difficult or bewildering, was also bracing in reminding/insisting that stability is not to be taken for granted.  Very little should be.

  Except I am probably the last person capable of outlining how to do anything, not because I don’t know how to, but because I can’t seem to consider the perspective of the person to whom I would relate / to say it simply without becoming buried in abstraction.  

Instead of a steady diet of riffing on the repulsive gift, I am trying to distract myself with art, or daydreaming about travel, or reading abstruse theory from media-software savants or 70s-era psychotherapists who play with meta theories about capitalism and selfhood - lots of self-hoisting topicality in other words.  and also trying hard to have basis to reject (better: disprove) the notion that I am doing something other than distracting myself.  

having seized the means of production, I am my own boss, and he is, in most regards, a real demanding son of a bitch. That is a chief and primary means of distraction, which is a tacit refusal to accept the repulsive gift.

Ride or die, Hephaestus

As long as every man and woman who crowded into the cathedrals on Easter Sunday was a principal in a gorgeous drama with God, glittering angels on one side and the shadows of evil coming and going on the other, life was a rich thing. The king and the beggar had the same chance at miracles and great temptations and revelations. And that’s what makes men happy, believing in the mystery and importance of their own individual lives. . . . Art and religion (they are the same thing in the end, of course) have given man the only happiness he has ever had.

Spes Sibi Quisque, or Appreciation for Mike Mills

Writing a history of love, as opposed to the history of love, and avoiding getting carried off into the ether of autobiography for its own sake. Check that box.

Avoiding the idea that recounting an idiosyncratic history is enough, as though the story will take care of itself and momentum is a function of quirky pastiche . . . Check.

Being grounded without seeming uncool or disconnected from the vibrant pulse of present creativity - mmmmm.hmmmmm.

Also funny: also voiceover narration but who needs Puritanism: also Beginners femme fatale be still my beating heart.


IMG_1571.jpeg

An aside:

the thing about grandiosity is you can’t feel ok with just being a normal non-descript self, happy for those who you care for and happy with yourself too. Contentment becomes inachievable; it seems impossible to live outside the terms of comparative assessment. So that so much of the cognitive metabolism is bound over to what someone else has or doesn’t have, what someone suffers from or excels at - and the someone exists as a foregrounding for the self’s obsessive shadow. that comparative lens is THE lens through which all the data points get filtered, and all the most piquant self-involved flavors are contradictions waiting to get sharpened. I prefer not to see in this way and eat at this table.


Adjustments.jpeg
IMG_1572.jpeg

A disjointed stand in for the fear I have of liking art that appears tied to a milieu to which I can’t relate and that is in all material respects too cool for me, which is to say

I like my LA with a strong dose of Nova Scotia re the design side of things. Lambent austerity.

Flight, but for how long?

The final consisted of one essay question, a take home, for which the intemperate professor had allotted 72 hours. It read:

assume a crow and an eagle have each lived a long, full avian life. Each will die today. Is it better for the crow to die in mid flight so it it rebounds, lifeless, off the ground, or to die with its feet on the ground and wings folded in? How about the eagle - which form of death would be better? How would Parfit answer? How would Diogenes? How would Cavell? How do you?


IMG_1565.jpeg

The intrepid readiness, the terrible eyes.

 The wild God of the world is sometimes merciful to those

That ask mercy, not often to the arrogant.

A Frenchman and a Welshman (as inhabited by a 7th Day Adventist antinomian aesthete)

€€€€ ~~~~¥¥¥¥ ^^^^

Adjustments.jpeg

Astral America. The lyrical nature of pure circulation. As against the melancholy of European analyses. The direct star-blast from vectors and signals, from the vertical and spatial. As against the fevered distance of the cultural gaze. Joy in the collapse of metaphor, which here in Europe we merely grieve for. The exhilaration of obscenity, the obscenity of obviousness, the obviousness of power, the power of simulation.

IMG_1561.jpeg

Astral Weeks, insofar as it can be pinned down, is a record about people stunned by life, completely overwhelmed, stalled in their skins, their ages and selves, paralyzed by the enormity of what in one moment of vision they can comprehend. It is a precious and terrible gift, born of a terrible truth, because what they see is both infinitely beautiful and terminally horrifying: the unlimited human ability to create or destroy, according to whim. It's no Eastern mystic or psychedelic vision of the emerald beyond, nor is it some Baudelairean perception of the beauty of sleaze and grotesquerie. Maybe what it boiled down to is one moment's knowledge of the miracle of life, with its inevitable concomitant, a vertiginous glimpse of the capacity to be hurt, and the capacity to inflict that hurt.


IMG_1564.jpeg

We are an encephalized ape that won’t last long

“I lived,” writes poor Teufelsdrockh, “ In a continual, indefinite, pining fear; tremulous, pusillanimous, apprehensive of I knew not what: it seemed as if all things in the heavens above and earth beneath would hurt me; as if the heavens and the earth were but boundless jaws of a devouring monster, wherein I, palpitating, lay waiting to be devoured.”


IMG_0174.jpeg

Bedevilment is as bedevilment does . . .