Even the prisons were prisons
I was elbows deep in life: a users manual and could not avoid how much I needed something sumptuous to eat. I wanted Mark Strand’s poem about eating ink like a ravenous carnivore raw, not cooked, but it was off menu. The cutlery clattered to the floor. I pushed it off the edge with a tall red plastic pizzeria glass that sweated. Being able to say enough is enough is a developmental milestone for those who hold a visceral, painful knowledge of what is too much.
Ingres and other parables was set for auction and I figured it would sate me, but what little money I had was staked to buying an all day ticket to the white box gallery in which my mind had hung all the paintings from painters whose work I wanted to feel numb in front of but which buzzed around in my head for years asking to be thought out loud. I did not, though, think them out loud. Salutary inner monologues proved reasonably, damnably sufficient for the purpose of giving voice to these paintings’ hold on me. I will no longer make any boring art is a paraphrase of what was written in chalk by the innocent proxies who knew enough to accept payment for the deed when the punishment constituting it would come ever so freely.
Arresting colors, transfiguring shapes, and then reading and eating and viewing all gave way to a paralyzed recognition of how many munitions were still hanging out there, tracing a precise parabola toward their intended target, whom I never knew nor could pick out in a despairing line up, but to whose end I had - symbolically or or by omission or otherwise - made some contribution.
How is a social contract cancelled, would you say? This may become something more than a thought experiment in a coming era when the tails cease wagging the dogs.